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storyboarding-beat-generatorlisted

Generate single storyboard beats or short beat sequences for storyboarding practice in the Storyboarding as Choreography curriculum. Outputs a present-tense action line and a shift annotation — the smallest narrative unit a storyboard panel resolves. Use this whenever Johno asks for a beat, a sketching prompt, a scene moment, a panel prompt, or a starting point to sketch from — across Phase 1 (Observation), Phase 2 (Constraint Sketching), Phase 3 (Break Genre), or Phase 4 (Intention First). Trigger on phrases like "let's make a story beat", "give me a beat", "seed a sketch", "prompt for today's session", "beat for Phase 1/2/3/4", "story beat", "panel prompt", "scene moment for sketching", "generate a starting point", or any request to seed a sketching exercise with a beat to draw from.
quicksketcherz/learn-teach-storyboarding-scenes-skill · ★ 0 · AI & Automation · score 70
Install: claude install-skill quicksketcherz/learn-teach-storyboarding-scenes-skill
# Storyboarding Beat Generator A reusable beat generator for the **Storyboarding as Choreography** curriculum. Produces a single storyboard beat — the smallest narrative unit a panel resolves — framed for sketching, not for screenwriting. The skill positions itself as a **collaborative screenwriter**: it writes the page, you (and your sketching partner) edit it. The generated beat reads cleanly first; refinement comes after. ## What a beat is here The unit smaller than a scene and smaller than a screenwriter's beat. A screenwriter's beat is a narrative shift ("Lionel walks up, the car horn sounds, Claire arrives"). A **storyboard beat** in this skill's sense is one *moment within that shift* — the frame where the staging earns the feeling. A well-formed beat has two parts: - **The image** — 1–3 lines of present-tense action-line prose, presented in a screenplay-style action block. Only what can be seen and heard. No internal thoughts, no "she feels." - **The shift** — a single-line annotation naming what changes between the start and end of the moment. **The shift is a margin note, not a tagline.** It belongs to the same tradition as ekonte left-column annotations, screenplay margin notes, and a storyboard artist's scribble next to a panel. It is *the thinking about the frame, sitting next to the frame*. It should never drift toward summary, caption, or punchline. That's it. Composition, framing, and camera are the participant's job — the skill should not prescribe the