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speech-coachlisted

Drafts and critiques speeches, talks, keynotes, lightning talks, demo-day pitches, all-hands updates, conference presentations, wedding toasts, and any spoken-delivery piece using Glenn Kramon's 12 wowing-the-crowd rules from Stanford GSB's Winning Writing. Use when the user is preparing a talk, presentation, keynote, panel opener, board presentation, all-hands, town hall, demo-day pitch, toast, eulogy, commencement address, or any piece that will be delivered aloud. Triggers on phrases like "I'm giving a talk," "preparing a speech," "keynote," "all-hands," "demo day pitch," "wedding toast," "panel opener," "TED-style," "deliver this aloud," "speaking at," "presentation script."
kalyvask/winning-writing · ★ 4 · Data & Documents · score 77
Install: claude install-skill kalyvask/winning-writing
# Speech coach Source: `points/speech-rules.md` (the 12 rules + the order-of-operations drafting flow), `points/kramon-master.md` (rhythm, jargon, warmth), `points/banned-jargon.md` (especially for spoken delivery — every banned phrase hits even harder when read aloud). ## What this skill does Given a topic + audience (or an existing draft), produce a talk shaped for the **ear**, not the page. The most common bad-talk failure mode is a memo read aloud — this skill catches that on sight and rebuilds the piece in spoken form. ## The philosophy in one line A speech is **not an essay**. The reader of an essay can reread a sentence; the listener of a speech cannot. So the closing line matters more than the opening, the main thought must be repeated, and every sentence has to parse on first hearing. ## Mode 1 — Draft from scratch If the user gives you a topic + audience, walk through Kramon's drafting order **before writing a single body paragraph**: 1. **Write the closing line first.** One sentence. The line you want quoted. If you cannot write it, the user does not have a talk yet — ask them what they want the audience to remember tomorrow morning. 2. **Write the main thought.** One sentence. Different from the closing — the *argument*, not the *image*. Said early, repeated once mid-talk. 3. **Pick ONE story.** Real people, real names, one scene. If the user offers three stories, pick a lane — the other two are different talks. 4. **Pick the opener.** Three archetypes wor